Carolin Meyer working at the intersections of art + research
  • About
  • Projects
    • The Primal Wound (2024)
    • The Future of Belonging is Displacement (2024)
    • DUMP 02 at Filet, 2024
    • That's Hot - Open Studio (2023)
    • Nurture (2023)
    • The Two Competing Forces of Waste and Production (2019)
    • Twitcher HQ (2021)
    • Embodiment and the Infinite Scroll (2020)
    • HEIMATFILM (2023)
    • TryStrangulation (2024)
    • Wals 'r' us (2020)
    • TIME IS RUNNING OUT (2021)
    • 2020 Vision (2020)
    • Nothing Ever Happens On Social Media (2020)
    • EUPHORIA (2019/ 20)
    • E G O (2018)
    • The Entanglement of Representation and Identity (2018)
    • Venus Gillette (2017)
  • Texts
    • Messy Methods (2023)
    • Solastalgia for STILL POINT JOURNAL (2024)
    • It is only when I am with everyone, that I can be ecstatic (2021)
    • Self-Isolation (2020)
    • EUphoria (2019/ 20)
    • Kommentar/ Commentary
    • Essay on 'Abjection and Race' (2020)
    • FACE-TO-FACE AND SOCIALLY DISTANT (2020)
    • Written musings/ Poetry
    • "From nautilus cup to smartphone: The still life in digital times." (2018)
  • Music
  • Window Shop
  • Research on Social Isolation/ And then Covid-19 happened
Carolin Meyer working at the intersections of art + research
Nothing Ever Happens on Social Media (2020)
Nothing Ever Happens on Social Media (2020)
Projects
2020 Vision (2020)
2020 Vision (2020)
Projects
Wals 'r' us (2020)
Wals 'r' us (2020)
Projects
EUphoria (2019/ 20)
EUphoria (2019/ 20)
Projects
The Entanglement of Representation and Identity (2018)
The Entanglement of Representation and Identity (2018)
Projects
E G O (2018)
E G O (2018)
Projects
Venus Gillette (2017)
Venus Gillette (2017)
Projects

Projects

©2025 Carolin Meyer. All rights reserved. No part of this website may be reproduced without permission.

Carolin Meyer

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©2025 Carolin Meyer. All rights reserved. No part of this website may be reproduced without permission.