Carolin Meyer
working at the intersections of art + research
About
Portfolio
Leaky Ceilings Everywhere (Monster Edition) and ULTRA STRAWBERRY DREAMS (2026)
SI (Sensory Intelligence) (2026)
Terra Morta (2025)
The Primal Wound (2024)
The Future of Belonging is Displacement (2024)
POCahontas (2025)
MAMA (2025)
DUMP 02 at Filet, 2024
That's Hot - Open Studio (2023)
Nurture (2023)
The Two Competing Forces of Waste and Production (2019)
Twitcher HQ (2021)
Embodiment and the Infinite Scroll (2020)
HEIMATFILM (2023)
TryStrangulation (2024)
Wals 'r' us (2020)
TIME IS RUNNING OUT (2021)
2020 Vision (2020)
Nothing Ever Happens On Social Media (2020)
EUphoria (2019/ 20)
E G O (2018)
The Entanglement of Representation and Identity (2018)
Venus Gillette (2017)
Writings
Essay for A Case Study: Political Agency Within Contemporary Art (2024)
Gay Is Not Enough (2025)
Messy Methods (2023)
The Hysterical Gearswitch (2024)
Solastalgia for STILL POINT JOURNAL (2024)
It is only when I am with everyone, that I can be ecstatic (2021)
Self-Isolation (2020)
EUphoria (2019/ 20)
Kommentar/ Commentary
Essay on 'Abjection and Race' (2020)
FACE-TO-FACE AND SOCIALLY DISTANT (2020)
Written musings/ Poetry
"From nautilus cup to smartphone: The still life in digital times." (2018)
Music
Window Shop
Research Blog on Social Isolation
Carolin Meyer
working at the intersections of art + research
Leaky Ceilings Everywhere (Monster Edition) and ULTRA STRAWBERRY DREAMS (2026)
Projects
SI (Sensory Intelligence) (2026)
Projects
Terra Morta (2025)
Projects
That's Hot - Open Studio (2023)
Projects
POCahontas (2025)
Projects
The Primal Wound (2024)
Projects
HEIMATFILM (2023)
Projects
MAMA (2025)
Projects
DUMP 02 at FILET (2024)
Projects
The Future of Belonging is Displacement (2024)
Projects
Nurture (2023)
Projects
Solastalgia (2024)
Projects
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Projects
©2026 Carolin Meyer. All rights reserved. No part of this website may be reproduced without permission.
